Gabriela Mistral – The Unlikely Poet Who Won a Nobel Prize

Thinking of poetry in Chile, the first that comes to mind is Pablo Neruda. But there was another important poet before him – and she was a woman. Enter Gabriela Mistral, who overcame many, many obstacles to become a famous writer, eventually earning the Nobel Prize in Literature, the first Latin American to ever do so.

But before she became Gabriela Mistral, she was Lucila Godoy Alcayaga, a girl of Basque and Indigenous heritage born on April 7, 1889 in the city of Vicuña in northern Chile. Before Lucila turned three, her father, a teacher with the heart of a traveling poet, left the family for good and his abandoned wife moved herself and her two daughters to the Andean village of Montegrande. You can see the family’s home below.

There she found work as a seamstress and the older sister, Emelina Molina, was employed as a teacher’s aide in the same school that Lucila soon attended. But despite their hard work, their life remained a humble one. As their money was running out, Lucila had to be taken out of school when she was only twelve, but she did not give up learning and with her sister by her side, she was able to feed her thirst for knowledge. By the time she was 15 she even got a position as a teacher’s aide in the seaside town of Compañia Baja and soon she taught in the near La Serena school as well. Around the same time she published her first poems in the local newspaper, using different pseudonyms such as Alguien, Soledad and Alma.

In 1906, when she was 17, she met her first love, a railway worker named Romelio Ureta. Only three years later the young love ended abruptly, as Romelio took his own life. This had a huge impact on her life, turning her to poetry even more and melancholy and the feeling of loss should become recurring themes in her work. It was then that Gabriela Mistral was born – a name chosen in remembrance of the archangel Gabriel and the warm Mistral wind of the Mediterranean. Or maybe it was a combination of the names of two of her favourite poets, Gabriele d’Annunzio and Frédéric Mistral.

She was determined to pursue a higher education, but was turned down from attending the Normal School without explanation. Later she found out that it was her writing that had blocked that path, Gabriela’s advocacy for universal access to education did not agree with the conservative views of the school’s chaplain. Undeterred, she decided to become an educator instead. Her task was made easier by the significant lack of teachers in the country. With the help of her sister’s contacts she got hired quickly and climbed the ladder utilizing her reputation as a published author and being willing to move wherever she was needed. By 1911 she was teaching several schools at primary level and worked as an inspector as well, often in remote areas. One year later she was hired to teach at a high school in Los Andes, near the capital of Santiago, where she would stay for six years. It was there that she wrote her “Sonetos de la Muerte,” her Sonnets of Death, in memory of her lost love, processing her grief. These Sonnets were what brought Gabriela to the attention of the wider masses when they won her the prestigious National Flower Award in 1914, aged 25.

When her stay in Los Andes ended, she moved on to a high school in Punta Arenas and then to Temuco in 1920, where she met and taught the young Pablo Neruda. The next year she was elected the director of Santiago’s newest and most prestigious girls’ school, so she moved back to the capital. Not everyone agreed with her nomination though and to escape the controversy, she accepted a job offer in Mexico only one year later to work with the Mexican Minister of Education to reform the national education system.

All the while she had been publishing her work and had acquired a considerable reputation as a journalist and public speaker. In 1922 she brought out her first book, “Desolación.” And she didn’t just publish it anywhere, she did so in New York! She was just getting started though. The next year she finished another text, “Lecturas para Mujeres,” Lectures for Women, celebrating Latin American culture. Her second book came out the year after; it was a children’s book of stories and lullabies, called “Ternura,” Tenderness. This one was published in Madrid, Spain! For she had left Mexico for Washington and then New York to tour Europe.

While she was a brilliant writer, she was not very good at taking care of herself; housework wasn’t really her thing and neither were finances, she didn’t like to cook and above all, she couldn’t stand being alone. Interestingly she still never married but preferred to live with women, all of them highly intelligent as herself and accomplished in their fields. One of them was Palma Guillén, a Mexican diplomat and educator, whom she met in 1922 during her time in Mexico. The two women should stay together for more than 15 years.

After a year of travelling she returned home to Chile in 1925 and retired from her teacher’s life at 36 years old. And not a moment too soon, for a law had just been passed that required teachers to have finished training at university. She had however been awarded the title of Spanish Professor by the University of Chile two years prior, although she had not had any form of formal education past the age of twelve. This shows what a remarkably intelligent woman she was and how determined to fill her head with all the knowledge she was denied by the system. This secured her a pension for life.

When she was invited to represent Latin America in the newly formed Institute for Intellectual Cooperation of the League of Nations, she moved to Marseilles, France with Palma and the couple adopted adopted the infant son of Gabriela’s half brother after his mother had died. Little Juan Miguel was physically disabled, which is why his father could not take care of him, but Gabriela did not care, she loved the boy as if he was her own. She supported their small family first with her journalism and then by giving lectures at universities in the US as well as Latin America. She also took up consular work, mainly in Italy and France but also in Spain, Guatemala and Brazil among others. In 1935, she was named consul for life. While working at the consulate in Madrid she once again met Pablo Neruda and was amongst the first to discover her fellow writer’s talent and originality.

All the while she kept writing and publishing her work in the Spanish-speaking world, with the help of her confidantes, the presidents of Colombia and Chile, as well as the First Lady of the US, Eleanor Roosevelt. And finally in 1938 she returned to Latin America, albeit not her home country, but Uruguay and Argentina. Her second major volume of poetry, “Tala,” was published in Buenos Aires that same year, with the proceeds going towards children orphaned by the Spanish Civil War. The book itself once more celebrated Latin American culture and heritage, but also the traditions of Mediterranean Europe – a fusion of different cultures, reflecting Gabriela’s own identity as both, European Basque and Native South American.

While they were living in Brazil, 17-year-old Juan Miguel took his own life in 1943. Gabriela was grief-stricken for she felt like she had lost a son and she blamed herself. Just one year before, her close friends, the Austrian couple Lotte and Stefan Zweig, writers who had taken residence in the city of Petrópolis like her, had chosen to end their lives as well. Furthermore her mother and sister had died not too long ago. All those wounds had not yet healed and now they were torn open once more. In 1946, Palma married a man, although she did continue to be Gabriela’s secretary and to support her emotionally. Gabriela, unable to move on, stayed in Brazil. And she remained there until two years later, when word arrived that she had won the Nobel Prize in Literature, the first Latin American to ever do so, and only the fifth woman. Just as bad things seem to only come in packs in her life, so did the good. In that same year her path crossed with that of Doris Dana, a beautiful and bright young woman from New York. Doris admired the poet, who was 31 years her senior, and although Gabriela did not remember their first meeting, Doris decided to write to her. A correspondence, and eventually a friendship, ensued.

Having found herself again, she once more felt restless. And so she packed her bags and moved to San Francisco, a delegate of the United Nations and soon also a founding member of UNICEF. She then took off to Los Angeles and later took up residence in Santa Barbara, California. In 1948, Gabriela finally invited Doris to visit her, after two years of regular correspondence. Soon the friendship turned romantic and Doris, then 28, decided to stay with the poet who was 59 at the time. Soon the two women travelled together to Mexico, where Gabriela was awarded a plot of land in Veracruz to build a house on (which the couple did.)

Oh, she also snatched a doctor honoris causa from Mills College in Oakland, California in 1947 and the Chilean National Literature Prize in 1951.

Although their relationship was very happy, Doris frequently had to return to her family in New York and every time she left, Gabriela feared that she would never return. But each and every time she did. Together they left Mexico around 1950 and spent the next two years in Italy, where they met Palma again. Doris and her became fast friends and she was only too happy to have a little help in handling Gabriela’s affairs. In 1953 the poet’s health began to decline and she realized she would not be able to travel anymore; after all she was 64 years old already. She wanted to spend the rest of her life with Doris but knew that her love could never call any other place than New York her home. So they settled on a compromise.

That same year, Gabriela set out for one last triumphant visit to her home country, with Doris accompanying her of course, and she was welcomed enthusiastically. And then the couple returned to their new home. Because Gabriela hated New York City, they settled in Roslyn Harbor, not too far away. There she continued to represent Chile in the General Assembly of the United Nations and, of course, to write. One year later her final book, “Lagar,” Winepress, was published and in it were all the grief over her son, the tension of World War II and more. It was the last one to be published in her lifetime. In early 1957, Gabriela was admitted to Hempstead Hospital in New York, where she died only a few days later on January 10, aged 67. Doris had not left her side.

Below a bonus picture of the two lovebirds because they were so darn cute: 

Nine days later Gabriela’s body was transferred back to her hometown of Montegrande, just as she had wished. Hundreds of thousands Chileans attended her funeral and paid their respects and the country declared three days of national mourning in her honor. At the same time her “Messages describing Chile“ were published posthumously. According to Gabriela’s testament the proceeds of her book sales in South America were to be used to help the impoverished children of Montegrande, one of which she had been too, so long ago. The proceeds from the sales in the rest of the world were supposed to go towards Doris Dana and Palma Guillén, who decided to give their parts to Chilean children in need as well. At first it looked like this wish could not be carried out as there was a law against inheriting profits yet to be made, but the decree was repealed and so her final wish came true. Doris was also the one holding all her literary legacy and she is the one who translated a selection of her poems into English and managed their publication.

Gabriela Mistral’s legacy can be found in many names all over the country. Within months of her death, a museum was opened in her birthtown of Vicuña. In 1977 an order for teaching and culture was named after her and in 1981 a private university was founded that bears her name. Once she had mentioned, jokingly I presume, that she would love the Hill of Montegrande to be named after her one day and indeed, on the day that would have been her 102nd birthday, on April 7, 1991, the street Fraile Hill was renamed Gabriela Mistral. Practically every major city in Chile has at least one street or plaza named after her. She certainly has left her mark and will not be forgotten.

image credits:

1: “House of Gabriela Mistral, Montegrande, Valle del Elqui, Coquimbo Region, Norte Chico” – © Educarchile – Link
2: “Manuscript Los Sonetos de la Muerte” – © Educarchile – Link
3: “Gabriela Mistral,” 1923 (© Archivo General Histórico del Ministerio de Relaciones Exteriores) – Link
4: Palma Guillén and Gabriela Mistral, undated – Link
5: “Gabriela Mistral (1889 – 1957)”  – © Educarchile – Link
6: “Gabriela Mistral and Doris Dana in the garden of their house in Long Island” – © Educarchile – Link
7: “Gabriela Mistral reading on her terrace” – © Educarchile – Link
8: “Gabriela Mistral and Doris Dana on the Beach” – © Educarchile – Link

Hortense Mancini – The Runaway Dutchess

This time I’d like to introduce you to one of my biggest history crushes: Her name is mostly mentioned in relation to her famous family and as a famous mistress, but she is so much more than that. Today’s post is about Hortense Mancini, a runaway wife who bedded kings. Are you interested yet? Because it keeps getting better. But let’s start with the beginning.

Hortense was born in Rome as the fourth of the five Mancini sisters, who were to become famous for their beauty and wit. When their mother was widowed in 1650, she sent the girls to Paris to live with their uncle Cardinal Mazarin. She hoped that his position as the king’s minister would allow her daughters to find suitable husbands. And the plan worked. The sisters were superstars at the French court, famed for their olive-skinned beauty which differed from the “standard French girl” and for their scandalous lives; either praised or despised, but definitely talked about. They even had a collective name: “The Mazarinettes” – remind you of anyone? (In the picture, Hortense is the one on the far right.)

Anyways, there were a lot of suitors. And I mean a lot. And they were respectable too. But because Hortense was her uncle’s favourite, no one seemed to be good enough for her. The cardinal had rejected a ton of suitors, among them Charles II, the exiled King of England (who funnily enough was legitimized only a few months later and was quick to reject the cardinal’s offer of Hortense’s hand and a lot of gold – hurt pride and all.) Finally in 1661, on his deathbed, Mazarin signed a marriage contract between Hortense and one of Europe’s wealthiest men: Armand Charles de La Porte de La Meilleraye. Not a good choice as it turned out.

Hortense was a cheerful girl (just look at the flower portrait on the left!), liked by everyone who met her, while Armand was a grumpy and jealous person. Also he was twice her age. Not to mention that he had that weird obsession with sex – and not in a good way. In his vast art collection, every bit of nudity was either painted over or chipped off, the teeth of his female servants were knocked out so they wouldn’t attract suitors and he tried to keep them from milking the cows (because udders are sexual, you know). Hortense was forbidden from meeting with any other men and often woken up at midnight when her husband decided to sweep her room for hidden lovers. Finally he forced her to move to the countryside with him, away from her beloved city.

Sure enough, Hortense was more than unhappy. And she decided to do something against that. And so she took a lover who was her age. Her name was Sidonie de Courcelles. Armand was shook when he found out, oh, the immorality. So he put both girls in a convent. That’ll teach them. Well, that plan kinda backfired – who would have thought? Honestly, I’m a little sorry for the nuns. The two girls were basically the Fred and George of the nunnery: they spiked the Holy Water with ink, flooded the nun’s beds and even tried to escape through the chimney. So in the end Hortense had to reluctantly return to her husband. She stayed for seven years, in which she bore four children. She did not idly take the abuse though. It was around that time when she started on her memoirs – highly unusual for women in the 17th century. Her main reason was to chronicle her husband’s behavior to have a solid case against him in court. It did not do her any good though and her attempt to divorce Armand failed.

But now she truly had enough and bolted, donning men’s clothing and leaving her children behind. A move so unusual at the time, that it attracted a lot of attention – not only from the public, spawning own magazines devoted to the topic, but also from the court. Soon the French King and her former suitor, the Duke of Savoy offered themselves as her protectors. Graciously she accepted the pension offered by the king and moved into the household of the Duke. Unfortunately he died not long after and his wife kicked her out again. Once more she was alone. Her husband had managed to freeze all of her bank accounts, including her pension from the King, which left her penniless – unless she returned to him. But that was out of the question. Enter the English ambassador. To secure his own status and maybe even improve it a little he’d like Hortense to try and replace the current mistress of Charles II. Does that name ring any bells? Right, the guy she’s supposed to seduce is the same King of England who wanted to marry her earlier, which didn’t quite end so well. Still, she was willing to give it a shot. Where else should she go anyways?

Soon she was on her way to London, pretending to be visiting her cousin there and once again dressed as a man. She travelled through Germany, having her memoirs basically published on the way. In January 1675 she arrived at the English court and by August she had been given an apartment and a generous pension by King Charles II. Less than one year later, she fully took the place of his chief mistress. It was the perfect match. They both loved lavish parties, riding and fencing. The King didn’t even mind her refusal to address him as “majesty” or her numerous affairs (playwright Aphra Behn even dedicated the introduction of one of her novellas to Hortense, turning it into a full-blown love poem.) And he liked her penchant for cross-dressing. Life could have been great.

And it was, until Hortense decided to start a relationship with Anne of Sussex. You see, generally the king didn’t care which beds she hopped into, but Anne was his daughter – an illegitimate daughter, but still. It didn’t really help that the two girls were caught in the midst of a friendly fencing match. In their nightgowns. Right in the middle of a public park. Watched (and presumably cheered on) by a group of onlookers. Immediately Anne was sent to an estate in the country, where she reportedly refused to leave her bed and just lay there, kissing a small painting of her beloved Hortense. That alone would not have tipped the King over the edge, but then Horense took the Prince of Monaco as her lover. Another royal was just too much for poor Charles II and he refused to pay her pension for a few days, but quickly relented. Hortense however had to give up her position as the King’s favourite to her predecessor in 1677. They did however remain friends until his death in 1685.

With both of her protectors dead however, Armand came back. Yep, I had hoped to never hear of him again as well. And so in 1689, he went to court, demanding his wife to return to Italy with him. But Hortense fought – and won. She was allowed to stay in England. And while her pension was reduced by the new King she kept her estate, which she turned into a salon for intellectuals and artists. In 1699, Hortense too died. It isn’t entirely sure how, but her drinking problem is mostly assumed to have been her downfall, but there are also rumors of a suicide.

One might think the story of Hortense Mancini ends here. But did you forget that Armand is still alive? Yes, even after her death, he couldn’t just let her be. He literally took her dead body with him while he travelled the country, visiting all the estates she had despised so much. It took four months until he finally allowed her to find a resting place in her uncle’s tomb. I hope she whoops his ass in the afterlife.

You can still buy her autobiography (and that of her sister)!
It’s on amazon but if you can, please support your local bookshop!

image credits:

1: “Three Nieces of Cardinal Mazarin” (detail; fltr: Marie, Olympia, and Hortense) by an unknown French artist, ca. 1660 – Link
2: presumed portait of Hortense Mancini by Jacob Ferdinand Voet, 1671 – © Hermitage Museum (ГЭ-5743) – Link
3: “Hortense Mancini, Duchess of Mazarin, as Cleopatra” by Jacob Ferdinand Voet, 17th century – © Bonhams (Lot 17) – Link
4: “Portrait of Ortensia Mancini, as Aphrodite” by Jacob Ferdinand Voet, ca. 1675 – © Christie’s (Lot 202) – Link

Osh-Tisch and The-Other-Magpie – The Women Who Fought at the Rosebud

I would like to introduce you to two badass ladies of the Crow Tribe: Osh-Tisch and The-Other-Magpie who fought at the Battle of the Rosebud!

A little preface: Osh-Tisch was baté (also badé or boté), which is the Crow word for Two Spirit. This term describes the third gender, recognized in most Native American societies. Two Spirits fulfill the duties of the opposite gender they are assigned, or often the duties of both genders. Baté specifically refers to male-bodied people, that live as women. This is why I will be using female pronouns referring to Osh-Tisch, as the members of her tribe do.

So let’s get started: Enter Osh-Tisch, baté of the Crow Nation. And not just any baté, but one of their leaders, described as a regal personality. In this highly regarded role, she lived separate from the main area and took on a number of roles including artist, medicine woman and shaman. As a skilled craftswoman who made intricate leather goods and large tipis, she earned the right to construct the buffalo-skin lodge of the tribe’s Chief Iron Bull. However, on the day she earned her name, translating to “Finds Them And Kills Them,” she showed what a ferocious warrior she was as well.

The sources on The-Other-Magpie are a little less extensive. It is known that she was an unmarried woman, pretty and wild. Her brother had been killed by the Lakota not long ago and she wanted revenge.

At the Battle of the Rosebud, the Crow fought in a coalition led by the US Army against the Lakota and Cheyenne.

During the battle, Bull-Snake, a Crow warrior was wounded and fell off his horse. In a second, Osh-Tisch lept from her horse and faced the charging Lakota (who did of course notice their advantage). Hefting her rifle, she fired shot after shot at the approaching enemy, reloading as fast as her fingers allowed it, defending her fallen comrade.

Meanwhile, The-Other-Magpie decided it was on her to help and began to ride towards the Lakota, screaming from the top of her lungs. She did not have a gun. Or bow and arrows. The-Other-Magpie had a stick. A coup stick to be precise.

What is a coup stick you ask? There was this tradition among Native warriors to ride into battle unarmed but with a decorative stick. The goal was, to hit as many people as possible with it without dying – so, kind of the most dangerous game of tag ever. The more people you hit, the more you were allowed to decorate your stick and it would become quite fancy indeed.

The-Other-Magpie’s stick was not fancy. It had a single tiny feather on it.

So, there was The-Other-Magpie, charging the Lakota, wildly waving her coup stick, spitting at them while screaming “My spit is my arrows!” – and there was Osh-Tisch, standing over the fallen warrior, shooting bullet after bullet at their enemies.

Believe it or not, The-Other-Magpie did land a hit on a (presumably pretty confused) Lakota warrior and a second later he fell down dead, hit by one of Osh-Tisch’s bullets. Horrified by this mad but seemingly supernatural warrior woman, the Lakota scattered and The-Other-Magpie took the fallen’s scalp. Riding into the village, she cut it up and distributed it amongst the men so they would have more scalps to dance with in the post-battle ceremonies. It was one of 10 scalps taken by the Crow that day.

This story would most likely have been forgotten, if not for Pretty-Shield, medicine woman of the Crow who, while recounting details from this battle, told of her. You can find her original account here, if you are interested.

Now the story starts to get a little sad, so feel free to just stop reading here if you want (I’d totally understand that.)

In the following years, the Crow were confined to reservations and government agents and missionaries began to visit, starting the oppression of Two Spirits and anything apart from the very screwed morals of the time. In the late 1890s, Osh-Tisch and the other baté were imprisoned, forced to cut their hair and wear men’s clothing by an agent named Briskow. The Crow however were not okay with this at all and their protests had Briskow fired. Sadly however, the gender oppression was not over at all and many Two Spirits assimilated to society and dressed like their assigned gender. Those who could not bear it, committed suicide or were driven into substance abuse. Unfortunately the numbers are high.

Osh-Tisch did not give up though, and continued to try and educate her contemporaries. When asked why she wore women’s clothes, she’d answer she was “inclined to be a woman, never a man.” When asked what work she did, she’d reply “All woman’s work” and proudly present an ornate dress she had made.

Besides trying to normalize who she was, she started an intertribal network of Two Spirits. They worked together, secretly communicating with each other, coordinating their efforts to make people understand and providing a support net for one another.

Sadly her efforts were not rewarded and she remains one of the few Two Spirits whose name and story has survived until today. When she died in 1929, the ancient knowledge of the baté died with her.

There is a modern movement to revive the idea and tradition of Two Spirits among the tribes, but it has been met with great resistance, even from within the tribes. Two Spirits today still face persecution and suffer from hate crimes. While it is commonly accepted that Two Spirits have existed, their role in society and especially their acceptance has been lost. It is important to remember them.

So remember Osh-Tisch, baté of the Crow, a bridge between genders, a bridge between tribes.

The picture shows her (on the left) with her wife.

image credits: found at Indian Country Media Network

Julie d’Aubigny – The Most Badass Lady Ever

This total badass won at least ten duels, performed on the world’s biggest opera stage, burned down a convent and had to be pardoned by the king twice. May I present to you: Julie d’Aubigny, better known by her stage name La Maupin.

It’s actually not even 100% certain that her name was Julie, but oh well. (And the girl in the picture isn’t her either, it’s “The Fencer” by Jean Béraud (ca. 1890s) – but I think it captures her spirit very well)

Born into a quite wealthy family in 17th century France, she could have just spent her life idly enjoying the country and not moving a single finger. But that wasn’t really her thing. Or her father’s. His name was Gaston (heh) and he was the Master of the Horse for King Louis XIV (the Sun King), responsible for the training of the pages. The sword-training, mainly. So from early on she learned all the important things: fencing, riding, reading and, thanks to her mostly male environment (I couldn’t find out where her mother was – or who for that matter), also the even more important things like drinking, gambling, fistfighting and more stabbing. All of which she did in men’s clothing, a habit she would continue throughout her life.

So, her dad was a pretty hot headed guy and usually disposed of her would-be suitors by cutting them up with his sword. Julie found a loophole though, getting it on with the one guy her father couldn’t duel: his boss (not the king though). She was however far too much for him and he married her off to some calm, dull guy to calm her down a bit. That’s how she became La Maupin for short. It was her husband’s name. But oh boy, did she do the opposite of calming down.

Quite soon after the marriage she had taken a sword master as her lover. It just so happened that he was on the run for murdering his opponent in an illegal duel and she decided to leave the city with him. They made their living with fencing shows and he further trained her in the art, but soon she had surpassed him and ditched his ass, continuing her travels without him. Now her fencing shows looked somewhat like this: Julie brandishes her sword and starts singing a few songs, then challenges anyone in the audience for a duel. Whoever steps up gets to hear a humiliating song about his very person and beaten like he had never held a sword before. Sometimes the audience would even question her womanhood (as she wore men’s clothing like she had always done and of course because “a woman can’t fight like that”). To this she usually responded by tearing her shirt off. It worked.

So, after she had ditched her swordmaster lover, she became involved with a merchant’s daughter. Well, the girl’s father was not too happy about that, so he sent her off to a convent, hoping to separate the two. Yeah, right. Julie took the holy orders and joined the convent – to continue her love affair there. Soon after an elderly nun happened to die (no, Julie didn’t kill her …it seems) and La Maupin did the only logical thing: putting the body into her lover’s room, setting fire to the building, grabbing her girl and getting the fuck out of there. Three months later our heroine delivered the girl back to her parents’ doorstep – she had gotten bored again. In these three months she was charged for this lovely little adventure of convent-arson and kidnapping and actually sentenced to burn at the stake. But smart as she was, she rang up (not literally, mind you) her old paramour, her father’s boss (remember him?) who used his influence to have King Louis XIV pardon her.

(There is actually a book about her adventures and that’s where the picture on the left is from: “Mademoiselle de Maupin” by Theophile Gautier, from 1898, illustrated by Aubrey Beardsley)

With her newfound freedom, she made for Paris, singing to earn her living. Once in a tavern after one of her songs, she was insulted by a drunkard and challenged him to a duel outside. Do I need to say it? She cut him up pretty good, but they survived. The next day she felt kinda bad about it, so she visited the poor chap to see how he was doing and ended up becoming involved with him. You gotta hand it to her, getting a guy you stabbed to be your lover is not a small feat. And remarkably the two remained lifelong friends even after their romance subsided.

And all this before she was 20! What a lady! And it’s not like her wild life ended then. Nooo.

Julie made it to Paris and after being initially rejected, she became a member of the Paris Opéra, the world’s most respected opera at that time. And damn, did she cause a stir. After all, opera singers were the rock stars of the time. Her beautiful voice and androgynous beauty captivated the audience and her passionate character brought with it many admirers. That character did mean of course that she either slept or fought with most of her colleagues at one point. At one point for example, another actor was making disrespectful remarks about his female colleagues. After he had dismissed her complaint – rudely – she awaited him in a dark alley on his way home, challenging him to a duel. When he refused (on the grounds of being a coward), she beat him up with a wooden cane and stole his pocket watch and snuffbox. The next day at work she caught him complaining about a gang of thieves assaulting him and swiftly pulled out his watch and box, proving him to be a liar and a coward in front of all his coworkers.

Her opera career was interrupted when she fled to Brussels for a while, following an incident at a royal ball. She had attended dressed in her men’s attire and spent the evening courting a young woman and finally French kissing her (hehe) right there in front of everyone. Three gentlemen were particularly unhappy about that and challenged her to discuss matters outside. In the following duel she defeated all of them and returned to the party, leaving her opponents bleeding. At that time however, anti-duelling laws grew increasingly harsh, and although King Louis XIV was so amused by the whole situation that he pardoned her (for the second time), she decided to spend some time abroad until the heat had calmed down.

She did return to Paris and the opera though and for the first time entertained a lover for some longer time: the Madame la Marquise de Florensac (see picture: An anonymous print from ca. 1700 called “Mademoiselle Maupin de l’Opéra”). After her beloved’s death, Julie’s trail gets a little fuzzy. It is known that she died around 1707 from unknown causes aged about 37. As far as I could find out about her later life, her husband and her were reunited and lived together fairly peacefully in Paris. Yes, she was technically still married throughout this whole tale. Did you forget about this too? From what it seems, she sure did.

image credits:

1: “L’Escrimeuse” (The Swordswoman) by Jean Béraud, date unknown – via Wikimedia Commons
2: from “A Second Book of Fifty Drawings” by Aubrey Beardsley – via Wikimedia Commons
3: Bibliothèque nationale de France (FOL-QB-201 | FRBNF41505463)